Homogenizing CultureKrishna Chaitanya HINDU EPICS, MYTHS AND LEGENDS IN POPULAR ILLUSTRATIONS By Vassilis G. Vitsaxis Oxford University Press, New Delhi, 1977, pp. 97 and 47 plates in colour, Rs. 50.00 VOLUME III NUMBER 1 July/August 1978 Kitsch and homogenization have been two important techniques used in the
reduction of the person to the mass man by the mass society of today.
Kitsch means that products
of mass culture in which the aesthetic and intellectual work is done for the
recipient, making him a passive recipient rather than an active discoverer.
Homogenization is the steam-rollering of values to a fiat plane of
sensationalism. Dwight Macdonald has an amusing yet significant study of the
now defunct Life which clarifies what happens here. The same issue will
contain a serious explanation of the dangers of atomic energy followed by a
disquisition on Rita Hayworth's love-life; an editorial on Bertrand Russell and
photos of sleek models wearing adhesive brassieres; nine colour pages of
Renoir paintings followed by a picture of a roller-skating horse. ‘Somehow
these scramblings together seem to work all one way, degrading the serious. The
final impression is that both Renoir and the horse were talented’.
Even a serious approach
may end up in similar consequences through an unhappy juxtaposition of topics,
prompted probably by the unconscious influence of the ambient mass culture. It
is not certain that this book on Indian myths has escaped the risk.
Today, myth is no longer
considered to be the befuddled, superstitious religion of the other man; it is
being recognized as an imaginative sensing of the deeper verities of existence.
But the myth is often many-layered and can yield meanings to the profound or
to the popular sensibility. For a deeper probing of the meaning of Indian
myths, we need to go to Danielou or Mircea Eliade. Vitsaxis has chosen to give
an .account of the popular traditions. It should be added that the stories of
Rama and Krishna have been delightfully narrated.
The unfortunate
juxtaposition has been the popular illustrations. It can be readily conceded
that a study of this category will be useful. But it has deviated from the
popular illustrations of the rural areas, with their rough vitality, and has
been influenced more by the glamorous pulchritude of men and women in cinema
hoardings and glossy calendars. An interesting feature is that the book has
been illustrated by ordering the required number of prints of these pictures
from the trade. Authentic basic material for research is provided here. Such research should throw
up sociologically valuable data, but ... Table of Contents >> |