![]() Cameos of Pre-partition PunjabR.P. Naik ZINDAGINAMA (A NOVEL IN HINDI) By Krishna Sobti Rajkamal Prakashan, New Delhi, 1979, pp. 424, Rs. 40.00 VOLUME IV NUMBER 1 July/August 1979 ‘Not by pen, nor by author, nor indeed by technique, but
life by its own motion went on spreading, page after page, on paper, as if
there had sprung up a mighty living tree on earth’, says Krishna Sobti about
her novel, Zindagi Nama Ek Zinda Rookh. It is nothing short of a tour
de force, a fascinating kaleidoscope of the life and times of pre-partition
Punjab. Here are village folk in their own environment; of the earth, earthy;
and simple, it also shrewd, in their own way. These are men and women full of
life, the people who guarded the frontiers of India and bore the onslaught of
succeeding invaders and yet nothing daunted, continued the even tenor of their
life, growing crops, milking cows, raising children.
The novel begins with the open of
the 20th century and depicts the life of the Indian peasant in the Punjab of
those days. They are tillers of the soil and should be the true owners of the
land and yet, it is the feudal landlord who reaps the benefit of their toil.
They are, however, reconciled to their lot for they have been told that it has
been so ordained. It is a story of the rich and the poor, their joys and
sorrows, hopes and aspirations, triumphs and tribulations. The author with an
unerring touch plumbs the undercurrents of emotions, through commonplace events
of life, like birth and death, marriage and divorce, love and hate. There are
people all over, in homes, fields and foot-paths, near the village well, by the
side of the river, in Melas, Tamashas, schools and courts; in fact, everywhere where
men can be. To deal with them, the novelist has focussed the lens on the
intra-personal relationship of the villagers, bringing out their strength,
vigour and honesty.
The novel is in the genre of an
Aanchalik Upanyaas—a regional novel, in the tradition of Balchanna of
Nagarjun and Mailaa Aanchal and Parli-ek parikatthaa of Renu.
There is no hero, no villain, no plot and almost no characterization. On the
other hand, the background itself becomes the main concern of the novelist,
the aim being to create an atmosphere and to evoke a mood, so as to recapture
the life of the people in a particular region, in a given period of time, with
swift, sharp and deft strokes ... Table of Contents >> |