![]() Material, Spiritual, Divine GangaDevika Sethi AN ANTHOLOGY OF WRITINGS ON THE GANGA: GODDESS AND RIVER IN HISTORY, CULTURE, AND SOCIETY Edited by Assa Doron , Richard Barz and Barbara Nelson Oxford University Press, New Delhi, 2015, pp. xviii 356, Rs. 895.00 VOLUME XXXIX NUMBER 10 October 2015 An anthology is like an Indian thali—it serves small portions of
different things, a couple of staples, and by providing a representative
sample it facilitates further explorations. Like a
thali too, it has something that appeals to everyone, but it is equally
true that inclusion and exclusions usually fail to satisfy everyone
who partakes of it. In the Indian context, the last decade has seen a
welcome crop of city-centred anthologies, in the form of the Penguin
series on Allahabad, Lucknow, Hyderabad, Delhi and Goa.1
In
addition, Aleph has published a series of short ‘city biographies’.2
Most recently, Vinay Lal has edited the two-volume Oxford Anthology
of the Modern Indian City. Some Indian rivers too have found
their champions, most notably the Narmada, in Hartosh Singh Bal3
and Rumina Grewal,4
whereas the Brahmaputra and the Kaveri among
many others still seek biographers to tell their stories down the ages.
ny others still seek biographers to tell their stories down the ages.
It is estimated that the Ganga is a river in whose catchment area
live one out of every twelve people in the world. Both as river and as
a Hindu goddess, its catchment area in terms of civilizational memory
and ritual importance is so vast as to defy any attempt at quantification.
For instance, it is the only river mentioned by name in
Muhammad Iqbal’s ‘Tarana-e-Hindi’ (1904), better known to every
Indian schoolchild as ‘Sare Jahan se Achha’.5
Given this, it is surprising
indeed that there has been no anthology of fiction, scholarship
and travel literature centred on the Ganga before this volume.
As the subtitle of, and the introduction to, this book make clear,
both the river and the eponymous goddess are considered one unit.
This explains, perhaps, why the vernacular ‘Ganga’ rather than the
anglicized ‘Ganges’ is used in the title. The editors in their selection
of excerpts have focused on the simultaneously ‘material, spiritual
and divine’ character of their subject. Meandering through these
pages, the reader will meet the mid 17th century French traveller
Tavernier complaining about the undrinkable quality of the river
water in Bihar and the narrowness of the streets of Benaras (Varanasi),
as well as commending the grandeur of that city’s stone buildings.
The early 19th century Iranian cleric and traveller Ahmad Behbahani
will commend the commerce of Munger, the monuments of Sasaram,
and the hospitality of the residents of Benaras. ... Table of Contents >> |