--Nilima Sinha JAYA: STORY OF MAHABHARATA By Dipavali Sen . Illustrations by Neeta Gangopadhya Children's Book Trust, New Delhi, 2014, pp. 280, Rs. 200.00 VOLUME XXXIX NUMBER 11 November 2015 Today, the child reader is addicted to western popular fiction
that includes Harry Potter, Percy Jackson, as well as monsters,
aliens, vampires, phantoms and other imported characters.
Books like the Hunger Games and the Twilight series grip
young readers’ minds.
Our own epics, however, are no less fascinating and as full of
strange, frightening creatures and brave, heroic characters. There is
adventure, excitement, tension, and emotional highs and lows to
make them as gripping as any contemporary fiction emerging from
the West. There was a time when grandparents used to tell tales
from our epics and mythology to wide-eyed listeners. Unfortunately
those times are in danger of vanishing as grandmothers begin to lead
their own busy lives and children do not have the benefit of their
company. Easy access to the ancient treasure-trove of fascinating
tales is no longer available today.
Dipavali Sen’s book, Jaya: Story of the Mahabharata fills this gap
most effectively. No doubt several versions of the Mahabharata have
been printed, including Rajagopalachari’s Mahabharata which we
read long ago when we were children, (though warned not to read
the whole book as it was supposed to lead to family conflict and
fights!). Publishers have also brought out stories for children based
on various incidents from the epic.
Sen’s book is a comprehensive version of the great tale. Filled
with interesting details and incidents not generally found in popular
tales from the Mahabharata, her writing is definitely more satisfying
to the more discerning reader. The title ‘Jaya’, itself shows that
it is different from the usual ‘Mahabharata’. The book begins with ‘Adi Parva’ which means the very beginning of the story. A history of
the writing of the book and the later narrations added to it, are
recounted before the Mahabharata, as it is commonly known, begins.
The whole book is divided into eighteen ‘parvas’ or parts, each
dealing with one section of the long narration. Thus, there is ‘Sabha
Parva’ about court life, the game of dice and the exile of the Pandavas,
‘Vana Parva’ describes the twelve years in the forest, ‘Virat Parva’ is
about the year spent in disguise, and so on.
The roles of women like Gandhari, Kunti and Draupadi have
been sympathetically handled by the author. An example is the description
of the travails of the Pandavas as they wander in forests
during their exile. The brothers are shown to ... Table of Contents >> |