![]() --Premola Ghosh THE HOUSE THAT SONABAI BUILT Text by Vishakha Chanchani . Photographs by Stephen P. Huyler Tulika, Chennai, Tamil Nadu, India, 2014, pp. 321, Rs. 250.00 VOLUME XXXIX NUMBER 11 November 2015 Once upon a time Sonabai built a house, far, far away in the
remote Puhphutara village of Madhya Pradesh’s Sarguja
district. She lived with her husband, Holi Ram and their
young son, Babu (Daroga Ram). Holi Ram spent most of the day
working in the paddy fields; no one came to visit Sonabai nor did
she go out. She was virtually alone, until one day, near the well, she
saw some ‘squishy clay’.
Could she make some toys for her little Babu to play with? And
perhaps some people who could become her friends whom she could
talk to sometimes!. As the clay touched her fingers, and her fingers
touched clay, something happened! Her heart leapt up and a new light gleamed in her eyes. With this simple act she created a wonder
world!
Sonabai came from the Rajawar community where the women
traditionally decorated their homes with clay relief work. Her inherited
artistic talent, however, took her beyond the confines of tradition.
Her magical hands worked the clay to make well-remembered
scenes of festivals, of drummers with gaily dressed female dancers or
an all- male cast of dancers. From the world around her she created
foliage, trees, birds, monkeys, deer, snakes and of course, the spiritual
world was represented by the flute playing Krishna. Her modest
cottage was transformed into a space burgeoning with life and
chatter as a myriad little folk peopled her walls. Space was created
with screens crafted from bamboo, in circular patterns and masked
with clay. Colour too was indigenous, literally from her backyard.
Spices and leaves created a veritable palette of green, yellow, red,
brown and from the neel used for bleaching clothes, the blue of
Krishna was created. The brush was a chewed end of a stick. So Sonabai made her own artist’s studio out of all she could find around
her.
Sonabai’s husband did not object to her work nor did he complain
of her lack of interest in the Kitchen! A group from Bhopal’s
Bharat Bhawan came to the area looking for local talent and a potter
directed them to Sonabai’s house. They were hardly prepared for
this astonishing and highly original talent. The artist Jyoti Bhatt
photographed her and the house and the group wanted to take back
samples to show the director of Bharat Bhawan, the great painter, J.
Swaminathan, her work. She could ... Table of Contents >> |