![]() --Vijetha Rangabhashyam MARA AND THE CLAY COWS Text by Parismita Singh Tulika Publishers, Chennai, 2015, pp. 76, Rs. 250.00 VOLUME XXXIX NUMBER 11 November 2015 It’s nice to know that India has finally
woken up to the concept of
original graphic novels—imagine
what a story does to a kid’s mind when
it is packaged along with whimsical
sketches in vivid colours? In Mara And
The Clay Cows author and illustrator
Parismita Singh takes the reader to an
unusual, magical territory of North
Eastern India where an orphaned boy
called Mara lives. On the one hand he
is lonely and is disregarded by the village
folk in the pretext of being a ‘bad omen’ and on the other, he
has strange powers which his innocent soul is unaware of. Perched
on a big rock, under a bright blue sky, he begins to mould himself a
couple of cows from a piece of clay. After a short slumber, he wakes
up to realize that the clay cows indeed have lives—the cows greet
Mara cheerfully and introduce themselves as Rocky and Areiwon.
The clay cows become Mara’s confidants and he sets out on a
soul searching expedition, along with the cows, to find the true meaning
of his powers. He willfully plans an encounter with Shiroi, a
young girl who is an apprentice to the Chief Magician. She is besotted
by Mara’s talking cows and promises to take him to the magician
if he would only craft her a talking cat in return. And so they begin
their elusive journey in the clouds to meet the powerful magician.
The series of pressurizing situations Mara is put in before he could
meet the magician and how he ultimately realizes what his powers
mean form the rest of the story.
Unlike the monochromatic sketches in her previous works, Singh
has experimented with pencil colouring in this one—the beautiful
strokes literally create a world of magic within the mind. The blue
hills and the green pastures come alive, the Van Gogh inspired sketching
of the clouds is lilting. The book is definitely a single-sitting
read, albeit the flow from one page to another at some places is
vague, making you wonder if you are missing out on some text in
between. Though the story is heavily driven by the illustration, it
doesn’t take away the importance of the dialogues, the writing is
equally charming.
For children though, the open-to-interpretation, untheatrical
ending may be unsatisfactory. I don’t mean to underrate the intelligence
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