![]() Exploring Shifting NuancesGirish Karnad SHIKARI: A NOVEL By Yashwant Chittal Sahitya Bhandara, Bengaluru Originally published by Manohara Grantha Mala, Dharwad, 1979 VOLUME XL NUMBER 1 January 2016 In the last forty years Bangalore has exploded
from a sleepy ‘air-conditioned garden
city’ into one of the most chaotic
megalopolises of India, its economy dominated
by business corporates like Infosys,
Wipro and Biocon, and a host of others which
have come up in their shadow. There was a
time when it was a city whose hotels filled up
only during the horse racing season and emptied
immediately thereafter, whose finances were controlled by two distillaries, and whose intellectual reputation
was sustained by half a dozen research establishments protected
from the hurly-burly of the outside world by hefty government funding
and sprawling green lawns. All that is gone now, and has been
replaced by a hectic city, driven by bright young techies who pour
into it from all corners of the country, by ruthless real estate barons
and builders, and by a rootless working class whose shanties are swallowing
up the discrete, self-contained villages that once marked the
boundaries of the city.
What is extraordinary is that all this transformation seems to
have eluded Kannada writers completely. Contemporary writers seem
simply unable to come to grips with the forces that are shaping the
reality of the city in which they have chosen to live and work. (Almost
all of them are migrants from outside.) No major work of fiction
has emerged which has attempted to catch even remotely the
ethos of ruthless competition, the anguish of individuals trampling
over each other in order to grasp what might be defined as ‘success’
and the painful destructiveness of relationships between individuals
who think they know each other intimately but discover they don’t.
Yashwant Chittal’s Shikari (The Hunter), is in fact, the only
novel in Kannada to have managed not just to face the excitement
and terror of this experience, but to explore it from the inside, and
ironically, it is not about Bangalore at all but about Bombay, and
was written in 1979. The protagonist of the novel, Naganath or
Nagappa, was born, very much like Chittal, in a remote village in
North Canara, grew up in poverty but now occupies, as a chemical
engineer, an important position in a corporate firm in Bombay. The
novel begins with Nagappa, who considers himself fairly well-entrenched
in his position, and is preparing to leave for the US, receiving
a notice informing him that he has been suspended from his
post and advising him ... Table of Contents >> |