![]() A Phenomenon of TransitionsKusha Tiwari UNDERSTANDING THE NOVEL: A THEORETICAL OVERVIEW By Albeena Shakil Primus Books, New Delhi, 2015, pp. 264, Rs. 1195.00 VOLUME XL NUMBER 4 April 2016 One’s first encounter with fiction has
been generally through the
reading of or listening to fairy tales,
mystery tales, superhero stories, popular stories,
classic love stories and fantasy novels.
And while reading and enjoying them we
hardly give a thought to how this enchanting
form, both long and short fiction came
into existence. Defining the novel is a tricky
task since it mediates through various forms
of art and adapts itself to the demands of the
changing cultural milieus. Yet writers and
scholars have understood and elaborated on
the defining features and characteristics of
the novel in their own ways. According to
D.H. Lawrence, ‘The novel is the one bright
book of life. Books are not life. They are only
tremulations on the ether. But the novel as a
tremulation can make the whole man alive
tremble.’ It is interesting to see how these
words fully capture the essence of this genre
and its overwhelming impact on the world
of literature.
Albeena Shakil’s Understanding The
Novel: A Theoretical Overview is the result of
a thoroughly researched doctoral thesis that
theorizes the rich array of the novel form by
contextualizing its genesis and development
in the history of the middle class across European
and Indian landscape. Not that other
books have not been written on the same
subject, the foremost being the massive Oxford
History of the Novel in English that runs
into several volumes with each volume focusing
on the development of the novel in
particular historical settings. The book comprises
an Introduction followed by five chapters
that provide an interesting overview of
debates surrounding the emergence of the
novel and its survival through varied divergent
sub-genres. As one reads the book one
finds that the episodic structure of the chapters
with sub-headings points towards the
multidimensional fictive experience that this
literary form provides. The author broadly outlines
the approaches to the novel in the Introduction
itself and distinctly categorizes the
theoretical writings in subsequent chapters.
The novel denotes the power of the written
word that surpasses the realm of myth
and oral storytelling. It is the product of the
technological progress in printing and in circulations
of books. The rise of the novel is most notably associated with the fact that
the early novel attracted new readers from a
range of social classes that were coming into
being around Europe in the 18th century.
This new ... Table of Contents >> |