![]() Vikas Baniwal By Marine Carrin, Harald Tambs-Lyche and Dominique Blanc Year 2016, pp. 206, Rs. 1284.00 VOLUME XL NUMBER 11 November 2016 Unlike the conventional understanding of knowledge as a fixed
body of information approved by a body of experts, this
volume presents an ever changing and ever-evolving conception
of knowledge. Though the themes of the volume seem largely
sociological in nature, they have implications for other disciplines
such as, philosophy, education, and social work. In these essays, there
seems to be semblance of an interface, occasionally amounting to
transgression about the various claims about knowledge that are made,
beyond the fixed conventional boundaries of disciplines, ideas, and
geographies. One also finds that the themes attempt to eschew the
generally accepted dualisms like mind-body, individual-society, and
internal-external, in their attempt to emphasize the relevance and
validity of indigenous knowledge. These essays may also be conceived
as a postcolonial response to the hegemony of ‘western’, ‘scientific’,
and ‘rational’ knowledge claims. The introduction is quite
comprehensive, highlights all these issues and orients readers to all
the essays and their thematic foci.
A point of emphasis that runs through the essays is that it is
various aspects of culture that affect the experience and acquisition
of knowledge as lived and embodied, rather than as a commodity or
in any edified and codified language. It is this knowledge that is
essentially cultural and contextually relevant, unlike the Cartesian
cogito. It is on such a ground that the idea of knowledge in the indigenous
traditions, cultures, and philosophical frameworks has been
discussed in these essays. Guzy’s essay emphasizes the importance of
music and dance in knowledge sharing in western Odisha, where
art, culture, and dance are considered to be expressions of cultural
knowledge systems. In their para-linguistic modes music and dance
connect an individual with the cosmic order and the Dalkhai dance
and songs are then ways to worship the goddess and brothers; a
metaphor for production, creation, life, and wealth; and a puberty
initiation ritual of the girl child for her transition into adulthood.
Nevot’s discussion of childhood in a Yi group of the Yunnan
province in China focuses on the ‘sacred’ relationship between the
Masters of Psalmody, Bimos and the cosmos. The relationship comes
into focus when, in the funeral rituals, the Masters recite the chapter
about the period or time of birth and the period or time of youth, in
which the dead person’s life is replayed and, to some extent, recreated.
This replayed life is essentially the institutionalized life of ... Table of Contents >> |