![]() ONCE UPON A TIME IN INDIAShefali Srivastava ONCE UPON A TIME IN INDIA By Nita Berry and Deepa Agarwal Year 2014, pp. 168, Rs. 595.00 VOLUME XL NUMBER 11 November 2016 Folktales, since time immemorial
have been a source of knowledge,
cultural beliefs and practices
and most importantly, entertainment.
Leaving an indelible mark on
people’s memories and consciousness,
folktales have played the role of a
teacher before books, television,
internet and other modern technological
inventions took the human race by
storm. Brief, secular in nature and a
repository of knowledge and culture,
folktales have had a strong appeal for
the masses. The cover page consists of
a montage of illustrations from different stories in the anthology
with the title written on the silhouette of the leaf of a Peepal tree,
symbolizing antiquity and eternity, very much like these folktales.
Carrying tales from seventeen States of India, the collection is
quite varied and wide in its coverage of themes. The collection is also
diverse in terms of the forms of stories included. There are humorous
tales, such as, ‘The Two Travellers’ and ‘Buying a Song’. There are
fables, such as, ‘The Wily Jackal’ and ‘The Tests of Friendship’. Then
there are cumulative tales such as ‘The Promised Boon’ and ‘The
Honoured Guest’, which due to their cyclical structure and repetition
are easy to remember and hence good for storytelling. There are
wonder tales dealing with magic, ‘Magic in the Mango Grove’, ‘The
Needle Prince’, ‘Prince Monkey and Prince Owl’, ‘Gifts for the
Worthy’ and ‘The Snake Princess’ among others. ‘The Sun and the
Moon’ is a Pourquoi tale which offers a mythological explanation of
the natural phenomenon of day and night. A Noodlehead tale, ‘Buying
a Song’ depicts the foolish rich couple who unwittingly manage
to scare the thieves away. Such a rich representation of different forms
of tales is one of the strengths of the book.
One of the purposes of folktales has been to educate people regarding
social values, often ending with a moral, sometimes explicit,
at times implicit. The tales in this collection, many of which are
loaded with moral lessons, do not make these explicit, leaving scope
for a more agentic role for the reader and an openness for interpretation.
Many tales in the anthology are immensely popular. In fact,
different versions of many of the stories are in circulation in several
neighbouring States. For instance, ‘Tapoi’ from Odisha and ‘The
Promised Boon’ from Bihar are also popular in the nearby State of
Uttar Pradesh and are told on various occasions, such as, festivals, of
course with ... Table of Contents >> |