![]() FIVE FACES OF MOTHER INDIASubhadra Sen Gupta FIVE FACES OF MOTHER INDIA By Khwaja Ahmad Abbas Year 2016, pp. 44, Rs. 65.00 VOLUME XL NUMBER 11 November 2016 We all know of the legendary Khwaja Ahmad Abbas who was
the scriptwriter of Raj Kapoor’s classic films like Awara, Shri 420,
Mera Naam Joker and Bobby. He also directed award winning films
like Saat Hindustani and Do Boond Paani and introduced an actor
called Amitabh Bachchan. As Abbas’s niece Syeda Hameed writes
ruefully in her introduction, he wrote hits for Raj Kapoor but his
own films would flop at the box office. Few of us remember that
Abbas was also an acclaimed writer, author of 74 books and wrote a
column in the Blitz magazine for 45 years.
One should thank Hameed for reviving this gem of a book where
Abbas profiles five women who exemplify the Bharat Mata of his
dreams. These are real women and that makes them resonate in the
reader’s mind. I really think we should send a copy of this book to
every loudly self proclaimed ‘desh bhakt/patriot’ to make them understand
who the true Bharat Mata is—the humane, compassionate,
generous, open hearted face of our country.
Abbas dips into his childhood memories to begin with Hakeemat
who is called Hakko by everyone. She was a poor widow who survived
by weaving, brought up her children and lived near his
grandfather’s home. Hakko was too busy working to keep the purdah
and as an illiterate woman knew nothing of banks, so all her savings
were in the silver ornaments that she wore all the time. As Abbas
writes, ‘She knew nothing about democracy or socialism. But she
herself was never dominated by any man, nor was she overawed by
the rich, the affluent or any person of authority.’
This is the story of how Hakko became a freedom fighter and an
activist for khadi. One day Gandhiji came to visit the town and after
listening to Bapu, Hakko quietly donated her precious necklace and
earrings to the cause. Then when she was old and blind she continued
to weave, making a khaddar shroud because she refused to be
buried in the English made lattha cloth.
This theme of traditional women who show an unexpected ability
for independent thought and refuse society’s absurd rules runs
through the profiles of the five women. There is the Maharashtrian
Nani in Pune whose grandson joins the freedom movement and hides
his comrades in her home. Without a protest Nani houses and feeds
the young ... Table of Contents >> |