JONATHAN UNLEASHEDPriyanka Bhattacharyya JONATHAN UNLEASHED By Meg Rosoff Year 2016, pp. 276, Rs. 499.00 VOLUME XL NUMBER 11 November 2016 If you know a dog-person, or a human
owned entirely by dogs, this is a book
you want to share with them straight
away. While I was reading Jonathan Unleashed by the luminously
witty Meg Rosoff, that peerless writer about children, young folk
and dogs, I was casting sidelong glances at my sons, hoping that by
some magic, they’d transform into dogs, just for a week or so. Just
for a bit, I should love to be in the company of canines like the
super-intelligent ‘city’ collie Dante and the sweet-natured spaniel
Sissy who light up this book with the ‘Byzantine quality of their
inner lives’. Any dog-lover will intuitively respond to second-hand
dog-owner Jonathan Trefoil’s concern about ‘the practical and spiritual
difficulties of caring for other sentient beings’. Jonathan has
stumbled into adulthood, somewhat bewildered at himself for having
done so, and is negotiating a perilous work and life situation in
New York, of all places on earth.
The book commences with quintessential Rosoff-style pokerfaced
humour: ‘Jonathan came home from work one day to find the
dogs talking about him. They weren’t even his dogs.’ ‘Home’ is a
tiny sublet apartment in New York’s Lower East Side; the dogs belong
to Jonathan’s brother, who has moved to Dubai. The apartment
owner is in prison, due to return any moment. Jonathan’s plight is
simultaneously funny and moving: his copy-writer’s job for Broadway
Depot, a stationery supplier, leaves no space for creative expression.
His girlfriend Julie is an ambitious staffer on a bridal magazine
who believes in the power of ‘medium heels, a decent hair cut and
solid retirement funds’. Jonathan’s greatest apprehension is that his
brother might return from Dubai and reclaim the dogs that are busy
sorting his life, in their dogged way: ‘The thought of the dogs leaving
was intolerable to him. Once he married Julie he’d be totally alone.’
Rosoff paints a sharply-etched picture of modern dystopia that
is both funny and terrifying: Jonathan is adrift in the big city, lost,
in every sense of the term. He is oblivious to the merit of what he
does, and is assaulted by doubt whenever he logs on. Out of his
thwarted imagination is born a cartoon version of the Inferno, with
his dog Dante as Virgil. Jonathan and Julie’s wedding is the stuff of
modern nightmares: it is ... Table of Contents >> |